Nuendo ver. 3.2.0.1128 + Update to ver. 3.2.1.1153 + Manual

Recording, editing and mixing with up to 192-kHz and 24-bit processing power (pristine 32-bit floating point internal resolution)
Intuitive handling and extensive customization options to accelerate workflow
Projects port readily to and from all standard audio and video cutting systems
Powerful multi-channel capability throughout the signal path
Awesome-sounding 32-bit Audio Engine optimized for multiprocessor operation
Up to 192 physical inputs/outputs alongside freely selectable audio hardware
Smooth, seamless integration into LAN and WAN environments
Cross-platform product (Mac OS X/Windows XP)

New Features
Nuendo 3 marks another milestone advance in the evolution of Steinberg’s celebrated Media Production System. It offers a multitude of new features, including AAF support, optimized media management, Pull Up/Down and Warp to Picture, as well as numerous new recording and Surround production functions. And with the release Version 3.2, Nuendo even boasts a full-fledged control room section unlike anything found on any other software mixer.

Application Scenarios for Nuendo 3
Nuendo 3 offers a tremendous range of functions and an arsenal of powerful tools for almost every conceivable professional audio/media production scenario. With Nuendo at your fingertips, you’re ready to master every post-production, live recording and studio recording/mixing challenge, as countless professionals all over the world will happily attest.

Post Production
Whatever the challenge may entail – be it an audio production for a film, TV show or a game - Nuendo satisfies discerning audio professionals’ every demand. What’s more, it puts powerful tools into your hands, helping you to accomplish every audio post-production task with ease and convenience. Designed for both speed and reliability, Nuendo is open to accommodate non-native systems. All this and many more peerless functions make it the system of choice for TV and film studios, post-production studios and independent editors all over the world. Read on to learn more about the key features Nuendo offers for post-production projects.

Audio Recordings
Recording BWAV files with time stamp and metadata to EBU specifications
Split and Interleaved recordings in all standard Surround formats
Unlimited number of audio tracks
Supports all prevailing audio interfaces, enabling free selection of audio hardware
32-bit floating point Audio Engine ensures extraordinary fidelity for recordings
Transfers
Import and export via all standard transfer formats: AAF, OMF, OpenTL and AES-31
Reads BWAV files with time stamp and metadata according to EBU specifications
Time code master and slave capabilities
Supports Machine Control via SONY 9-Pin and MMC
LOCO-compatible for Conforming from Disk
Editing
Convenient management of all project media files used in the Nuendo Pool window
Metadata indicator in the Pool and metadata processing during export
Extensive search function
Enables the creation of personal sound libraries
Inserts files via drag & drop
Inserts files at the desired position (cursor, time code position, or time position of the original recording)
Processes files directly in the Pool via plug-in effects or off-line processes
Batch processing for fast conversion and processing of multiple files
Fast and flexible audio editing via mouse, keyboard or external remote controller
Integrated Sample editor for extensive processing and real-time stretching
Video image automatically follows all actions such as moving, trimming, fades and scrubbing
Real-time fade-ins, fade-outs and cross-fades (nondestructive
Powerful Fade editors and Auto Fade function
User-definable key commands and macros to accelerate working pace
Edit History for unlimited undo/redo of all edits
Offline Process History for managing and modifying all processes performed offline
Integrated track sheet printing
Post Synchronization and Foley
Integrated Loop markers for creating taker lists
Supports professional dubbing programs such as Gallery’s ADR Studio and F.E.G.’s ADR/EDICOM
Peerless Warp to Picture functions enabling fast, accurate adaptation of audio and video to the picture, whereby the image follows audio time-stretching in real time
Full-featured mixer architecture offering all the functions of big studio consoles, including AFL/PFL, metering, effect plug-ins and integration of external signal processors
Full control room functionality, whereby four separate studio busses deliver an individual headphones mix to each sound-maker and speaker
Talkback function for relaying the producer’s instructions
Soundtrack Composition
MIDI editors for every application: Score editor, Key editor, Drum editor, List editor and Logical editor
Extensive layout functions for music notation and score printing
Integrated MIDI effect plug-ins
Inplace editor for processing MIDI in context with audio tracks
Up to 64 VST instruments per project
Smooth, seamless integration of external MIDI instruments
Mixing on an Outboard Desk
Seamless integration with analog and digital mixing consoles via AES, TDIF, ADAT or MADI
Supports time code, SONY 9-Pin and MMC
Unique Collaboration Network feature enabling fast stage fixes and multiple users to work simultaneously on a project
Freely definable color-coding of all tracks for enhanced clarity
Folder tracks for easy management of large projects
Mixing in Nuendo
Full multi-channel audio path from mono to 10.2 for all input busses, audio tracks, FX returns, aux sends, group and output objects
Down-mixers and mix converter tools for flexible format conversion
Automation of all mixer parameters, including effect plug-ins and VST instruments
Five different automation modes (Touch Fader, Autolatch, X-Over, Overwrite and Trim)
Simultaneous view of any number of automation tracks and numerous options for editing recorded automation data
Professional metering tools including freely configurable Fallback Time, Pre/Post Fader Metering and Peak Hold
More than 40 included effect plug-ins and a world-class selection of native and DSP-based effects offered by third-party providers such as Waves, URS, Universal Audio, SONY Oxford and TC Electronics.
Control room section with four different speaker setups including Solo and Fold-Down function
Full automatic latency compensation throughout the signal chain
Supports dozens of hardware controllers for utmost convenience in handling Nuendo when mixing
Optional EuCon adapter for Euphonix MC and System 5-MC
Supports WK Audio’s ID Controller

Live Recording
The Nuendo Engine was developed specifically to rise to the singular challenges of live recording. You may be tasked to track an hour’s worth of improv in a jazz club or record a full-blown three-day rock festival. But regardless of the recording task at hand, Nuendo lets you get the job done intuitively, reliably and in excellent sound quality. World-class events such as Eric Clapton’s Crossroads Festival and Joe Cocker’s 2005 tour were recorded with Nuendo. So, why are growing numbers of professional audio engineers opting for Nuendo as their live recording system?

Quality and Flexibility
Without a doubt, sound quality is the top priority in recording. And A/D converters are among the most vital components in determining a recording’s sound quality of. Nuendo runs impeccably with high-end converters offered by distinguished manufacturers such as Apogee, Digital Audio Denmark, Prism Sound, DCS, Euphonix or RME.

Nuendo affords you freedom of choice when it comes to audio interfaces’ appointments, price and quality. Every piece of ASIO/Core Audio-compatible audio hardware available on the market integrates directly into Nuendo.

All the audio inputs you need are yours for the asking. Case in point: In combination with three RME MADI cards, a single Nuendo workstation offers 192 inputs and outputs. And if your recording mission calls for fewer inputs, you can choose from a wide range of interfaces offering 8, 16 and 24 inputs.

Nuendo lets you capture great-sounding tracks that shine in up to 192-KHz and 24-bit quality. Internally, the Nuendo Audio Engine works with even higher 32-bit floating point resolution.
Security
Every performance is unique and can never be repeated, particularly if it’s a live event. This is why the engineers who developed Nuendo put a premium on stability and data security. What’s more, the data storage system used by Nuendo delivers the performance, flexibility and cost-efficiency discerning users have come to expect from Steinberg.

Temporary buffering protects against data loss during recording. Nuendo writes important information into the audio file as it records to ensure that the recording can be restored virtually in its entirety in the event of an unforeseen interruption (for example, a power failure).
Pre-record Buffering automatically buffers up to 60 seconds prior to the start of recording. This ensures that the beginning of a recording is not lost if you engage the record button just a little late.
What’s more, you can create an individual folder for every track to archive data. This option provides the best data throughput, enabling you to record simultaneously to different hard disks. Nuendo also offers the option of recording incoming signals to multiple tracks simultaneously. Again, this enhances data security because it allows a signal to be recorded simultaneously to different hard disks.
Nuendo is designed to integrate readily into network environments, allowing you to use fast, secure RAID systems for backing up your tracks, as well as to easily employ any archiving and backup systems you have available for Nuendo.

Recordings for Several Hours
At some point you may wish to record a rock festival in its entirety. Nuendo affords you the peace of mind that comes with knowing that file size constraints will not impede your recording efforts. While standard audio formats are limited to files no larger than two GB, Nuendo and the WAV64 format let you circumvent this constraint. Nuendo leverages the WAV64 format to accommodate all the factors that typically push other systems over the two-GB size limit - high sampling rates, high bit rates, multi-channel recordings and, particularly, long recording times.

With the benefit of WAV64 support, you can generate very large audio files beyond the typical two-GB limit.
What’s more, the Nuendo 24/7 Timeline enables recordings to continue from one day to the next on the Timeline without the technical problems encountered with other systems when the 00:00 hours threshold is crossed.
Synchronization and Machine Control
Occasionally, a recording situation in a studio or a live event with a simultaneous video taping may compel you to operate the audio workstation from another device and synch the two up. Whatever the remote control demands may entail, Nuendo lets you get the job done with confidence and convenience.

In addition, you can arm tracks and control transport functions via MMC or SONY 9-Pin, and synchronize via time code and clock to external (video) signals.
No worries, if a scenario mandates more performance than your system can deliver - simply solve the problem by networking several Nuendo systems via VST System Link. This technology serves to send transport commands and synchronization data via a conventional digital audio circuit.

Mix and Deliver
To save precious production time, Nuendo lets you prepare for mixing while you’re recording. If tracks are destined for further processing on a system other than Nuendo, it provides all the transfer formats required to hand over files to other digital audio workstations.

The Nuendo Mixer lets you assign effect plug-ins such as EQs and dynamic effects to incoming signals during recording.
Automated processes may also be captured while Nuendo records.
With any number of freely definable markers at your disposal, you can structure the project while recording. The waveforms of all tracks currently in record mode may be displayed instantly to afford you a good view of the process.
Nuendo lets you hand over recordings in the form of Nuendo projects, as well as in all standard transfer formats, including OMF, AES-31 OpenTL and AAF.

Studio Recording and Mixing
An exceedingly powerful production environment, Nuendo provides all the functions required for professional recording, editing and mixing. Inspired signal path mapping, the excellent functionality of the Nuendo Mixer, the phenomenal sound of the Audio Engine, efficient editing tools, extremely flexible automation options – all this adds up to make Nuendo the ideal nerve center for every professional audio studio. Read on if you wish to learn why renowned producers such as Alan Parsons, Chuck Ainlay, Elliot Scheiner and Frank Fillipetti rely on Nuendo for their music productions.

Quality, Quantity and Flexibility
Opt for Nuendo and you may use any ASIO/Core Audio-compatible hardware.
Nuendo supports all analog and digital formats (S/PDIF, AES, ADAT, TDIF, MADI).
Many pro audio equipment vendors - Apogee, Digital Audio Denmark, Prism Sound, DCS, Euphonix or RME, to mention just a few - offer high-quality converters that harmonize perfectly with Nuendo.
Seamless integration with analog and digital consoles is assured, courtesy of up to 192 simultaneously employable inputs and outputs.
And with sampling rates ranging up to 192 kHz and 24-bit resolution, alongside the Nuendo Audio Engine’s internal 32-bit floating point performance, exceptional recording quality is also assured.
Network Integration and Data Security
Record to local hard disks or any hard disk in the connected network
Easy integration into legacy backup and archiving systems
Individual destinations may be defined for each track of a recording
Simultaneous recording to different hard disks for automatic backup
Automatic buffer storage during recording to protect against data loss
Pre-record buffering of up to 60 seconds prior to recording start
The Recording Environment in the Nuendo Mixer
Control room section with separate output busses for headphones, control room, 4 studios and main mix
Four freely configurable speaker setups including solo and fold-back functionality
Up to six switchable external inputs for DAT, CD, DVD and so forth
Up to four separate studio mixes, with every audio, group and effect channel in the Nuendo Mixer offering separate studio sends
Talkback function with automatic and manual dimming
Separate Click bus
Instant access to all vital channel settings such as AFL/PFL, Mute, SIP, Gain, Phase, EQ, Sends, Inserts and Record Enable
Professional metering with user-configurable parameters
Full automatic latency compensation throughout the signal chain
Integrating Effect Plug-ins and External Hardware
Nuendo comes with 40 high-quality effect plug-ins for all the archetypal sound-shaping tasks.
Scores of first-class native and DSP-based effects are available from third-party providers such as Waves, URS, Universal Audio, SONY Oxford or TC Electronics.
You can seamlessly integrate external effect processors and MIDI instruments via the audio hardware’s inputs/outputs and use them as plug-ins. Latencies are automatically compensated.
Recording Workflow
Intuitive, fast and precise handling
Utmost flexibility for importing existing projects, for example, in OMF, OpenTL, AES-31 or AAF formats
Easy exchange of projects with other Nuendo and Cubase systems
Various recording modes for optimizing the recording workflow: Normal, Merge, Replace and Keep Last
Stacked Recording view shows all takes of a track in stacked array
Effects such as pre-compression or EQ may be written into files while recording
All routine tasks may be executed via key commands
And if you wish to work at an even faster pace, you can opt to handle Nuendo via one of the many external hardware controllers offered by companies such as Yamaha, Euphonix, SmartAV, JL Cooper, Mackie or Tascam
Preparing the Mix
You can opt to process files with effects and so forth directly in the Pool or in the Project window, while a batch processing option lets you speed things up.

A set of tools is available for processing audio events - Range, Pointer, Stretch and Timewarp, all of which may be activated via mouse, key commands or hardware controller.
Integrated Sample editor featuring special functions such as hit-point recognition, real-time time-stretching and audio quantization
Nondestructive real time calculation of fade-ins, fade-outs and cross-fades
Flexible (Cross) Fade editors and Auto Fade function
Unlimited undo function for maximum recall at the Project level
Offline process history for deleting, swapping and reconfiguring individual editing steps for each audio event (for example, normalizing, stretching and pitch-shifting).
Common applications such as Autotune or Melodyne for ironing out musical problems in audio files integrate directly into Nuendo
Mixing and Automating
Easy integration of Nuendo and external mixing consoles via analog or any digital circuits (AES, ADAT, TDIF, MADI)
Full-fledged mixer featuring extensive automation options for internal software mixing
End-to-end multi-channel audio signal path for inputs, outputs, FX returns and groups
Direct integration of MIDI, ReWire and VSTi tracks
Clear view of all crucial mixer parameters, including Mute, SIP, AFL/PFL, Panning, Level, Gain, Phase Inversion, Inserts, EQs, Send Level and Automation Status
Automation of all mixer parameters, plug-in effects and VST instruments via individual or global Read/Write buttons
Five different automation modes (Touch Fader, Autolatch, X-Over, Overwrite and Trim) with adjustable Return Time
Simultaneous view of any desired number of automation tracks and numerous editing options for recorded automation data
Curve tools (Parabola, Sine, Triangle, and Rectangle) for creating rhythmic automation envelopes
Remote Control
Nuendo supports many of the hardware controllers that are available on the market, enabling you control all standard parameters remotely.

Seamless integration of Euphonix MC and System 5 MC
Supports WK Audio's ID Controllers , a device developed especially for Nuendo
Generic Remote function allows any MIDI controller to be set up as a dedicated control device for Nuendo

Freedom of Choice in Audio Hardware
Nuendo 3 not only leaves the choice of computer platform up to you, it also affords you the freedom to choose the audio hardware. This empowers you to put together a setup tailored to your needs and working method.

Nuendo runs with nearly every audio interface available on the market, regardless of whether it is connected via PCI, USB, Firewire or PC bus cards on a laptop. What’s more, Nuendo detects every piece of ASIO-, Core Audio- and MME-compatible audio hardware without further ado, enabling it for immediate use. The audio ports built-in into notebook computers support normally support one of the aforementioned standards, which lets you work outside the familiar studio environment.

Untold professional audio vendors offer interfaces in every price range and with different I/O options. Whatever you wish to add to your rig - analog and digital connection options (AES, S/PDIF, ADAT, TDIF, MADI) as well as additional options such as microphone preamplifiers, DB25 connectors or separate inputs/outputs, MIDI and time code I/O – these accessories are available in a dizzying array of combinations. Steinberg developed the ASIO standard to accelerate input-to-output communication in peripheral audio devices to let you monitor live signals at very low latencies, irrespective of the of the given computer’s performance capacity.

Supported File Formats
Recording Formats
Nuendo 3 supports recordings in 16-, 24- and 32-bit float resolution and sampling rates up to 192 kHz. You have numerous recording formats available, from AIFF, WAV and BWAV to WAV64 for recordings which require a file size greater 2 GB due to their length or high number of channels (Surround). You can generate multi-channel recordings in all standard formats from stereo to 10.2 Surround in Interleaved or Split format. With selection of recording modes such as Normal, Merge, Replace, Keep Last und Stacked Landes to choose from, you can optimize your workflow as you see fit. If Nuendo receives a time code signal, you can automatically ID the recorded data with time stamps. Nuendo plays files on different hard disks and even on different computers within a network simultaneously. Beyond that, you can define a separate destination for every track if the recording situation requires higher hard disk performance.

File Import and Export
Supported audio import formats:

AIFF
AIFC
WAV
BWAV
WAV64
MPEG (MP2 and MP3)
Ogg Vorbis
WMA* (Pro)
WMV* (Pro)
REX
AC3***
SD2**
Nuendo imports and exports audio files with sampling rates up to 384 kHz and up to 32-bit floating point resolution. It handles multi-channel audio files in Split or Interleaved format; conversion into Mono Split Format is also an option. Audio CD grabbing is easy with Nuendo; you can even preview results and partially extract a CD track. Its capacity to import musically relevant files extends to MIDI files as well as project files from Cubase SX/SL and VST 5.

Supported video import formats:

MPEG (1/2)
AVI
QuickTime
WMV*
WMV Pro*

Supported audio export formats:

AIFF
BWAV
WAV
WAV64
MP3 (Pro)
Real Audio G2
WMA* (Pro)
SD2**
Ogg Vorbis
Dolby Digital AC3*** and DTS**** file formats may be created with the help of optionally available encoders.

Export processes in Nuendo are carried out far faster than in real time, which considerably shortens the wait you may have encountered with other programs. Of course, you can slow audio export down to real time to monitor the process or accommodate external sound generators or effects that by nature of their design can only operate in real time.

----------------
* PC only
** Mac only
*** with optional Nuendo Dolby Digital Encoder
**** with optional Nuendo DTS Encoder

File Management in the Nuendo Pool
The Nuendo Pool window is a remarkably convenient option for managing all the audio, video and MIDI data files used in a project in lists. Its many features include import and export functions, metadata display, searches, sorting, a preview option, and tools serving to organize and archive contents. You are free to define the folder structure as you see to tidy up even the most extensive projects.

Files may be edited directly in the pool. To do this, you can use the 16 offline effects integrated in Nuendo, including Pitch Shift, Gain Control and DC-Offset Distance, as well as well as every installed plug-in. And the Pool’s batch processing facility lets you quickly convert and process many files simultaneously.

Files are inserted automatically at the desired position via the context menu or freely definable key commands (cursor, Time code position or the time position of the original recording). Useful features as Convert, Conform, Batch Rename, Automatic Minimize and Remove Unused File/File Parts, alongside audio CD import and an archiving option, round out the wide range of functions found in the Nuendo pool. In addition, the pool is an excellent choice for working with sound libraries. You can create new libraries and fill them with media files whenever you wish, and archive and import these into any Nuendo project. And with the benefit of drag & drop, you can transfer files intuitively and quickly among different libraries and projects.

Nuendo supports metadata in accordance with EBU specifications for BWF (Broadcast Wave) files. On demand, Nuendo will write these data into WAV, WAV64 and files AIFF. In addition, user-defined metadata may be added every audio file within a project, say to document the name of the artist, the role number or the number of takes. BMF metadata are displayed as soon as audio files are import and are also viewable in the pool. Unless you edit metadata when exporting files from Nuendo, the original metadata record is written into the files in order to assure metadata consistency, which is vital for many production processes.

Audio Editing
Range, Pointer, Stretch, Timewarp and many more editing tools may manipulated directly via mouse, keyboard or a connected hardware remote controller. All standard editing actions can be performed directly in the Project window without having to open additional windows. And you have a powerful Sample editor at your disposal for special tasks such as adjusting the Sync point, real-time pitch-shifting and time-stretching (Audio Warp), and creating individual regions in a longer audio file.

A score of audio effects is available for signal processing. All effects are nondestructive, meaning that they do not overwrite the original file. An Offline Process History oder Task List logs whatever processes you choose to execute, enabling you to remove and modify any effect you have processed audio data – you can even swap one effect for another.

Any other edit performed in Nuendo Feel may be undone at any time; what’s more, your undo options are unlimited. The Edit History lists every edit, allowing you to reverse every single step or an entire processing sequence. So edit with confidence, safe in the knowledge that you can restore the original data at will.

When you’re working with videos, Edit mode in Nuendo ensures that the video image automatically follows all your actions such as moving, trimming, fading and scrubbing. This indivisible audio-to-video bond even holds fast for a unique Nuendo function called "Warp to Picture". This "Elastic Audio" feature lets you stretch an audio sequence within any desired region of an audio file in real time without having to first cut it. The function even lets you manipulate the timeline so that the playback speed changes nonlinearly. And that makes adapting audio to video with pinpoint accuracy a piece of cake.

All fade-ins, fade-outs and cross-fades are nondestructive and computed in real time. An Auto Fade function featuring user-definable fade time facilitates automatic generation of smooth changeovers. You can opt to edit the Fade curve graphically directly in the Project window or - for even more complex tasks - in a separate (Cross) Fade editor.

Freely definable key commands and macros are on board to speed up the working pace. You can program these to execute recurring tasks such as such as pitch-shifting and inversion (and even a combination of the two) at a single keystroke.

Jog and Shuttle are available to help you swiftly locate positions in the song. An additional Scrub tool with adjustable volume and response time lets you scrub individual tracks. You may also assign different jog and shuttle speeds to selected key commands or manipulate them using a remote controller.

Minimum System Requirements
The minimum system requirements state the minimal specification your computer must have to be able to use the software. A more powerful system may be required for certain tasks or larger projects. You can find more information about computer system specification and setup here.


Nuendo ver. 3.2.0.1128 + Update to ver. 3.2.1.1153
http://rapidshare.com/files/106277033/SN3.2.0.1128___Update_3.2.1.1153.part1.rar
http://rapidshare.com/files/106279345/SN3.2.0.1128___Update_3.2.1.1153.part2.rar
http://rapidshare.com/files/106280604/SN3.2.0.1128___Update_3.2.1.1153.part3.rar
Password to files : darjellin@magesy